This is a potentially sensible interface adjustment, since it saves space on the toolbar for buttons that don't get used all that often. When you click the Set up Window Layout button on the toolbar, the display darkens and an overlay appears with a series of tick‑boxes to set the visibility of the Project window's components. Where previously there were separate buttons to toggle the visibility of the Inspector, Event Infoline and Project Overview, these options have now been consolidated into a single command. One particularly bizarre change is the new Set up Window Layout command. However, I can't help feeling a bit like a vet trying to recover a misplaced item of jewellery from an elephant's digestive system when trying to find Preferences these days. For example, the Inspector sections now animate while opening and closing, which, from my perspective, just seems to slow down what I'm trying to do, and I couldn't find a way to disable it. And where there were once old‑fashioned things like lines to clearly separate toolbar buttons, now there's a sea of bewilderingly cryptic icons.ĭesign adds so much to the functionality of user experiences, but many of the changes in Nuendo 5 just seem arbitrarily artistic. But my initial impression of Nuendo 5's aesthetic was that it just looks drab, and I'm not sure that having lists of light‑grey text on a dark-grey background is particularly less fatiguing. To be fair, audio post work can often seem rather dull, so the last thing an engineer would want is to be taunted by a cheerfully bright colour scheme. These styles are joined by the new, grey‑is‑this‑year's‑grey decor of version 5, which can be immediately enjoyed on the slightly tweaked Project window.ĭubbing engineers apparently told Steinberg that they like darker interfaces, which make the program easier on the eyes during long sessions. There are 'classic', square interface elements still lurking, such as the Project Setup window, along with the 'flow' dialogues introduced in version 3, such as the Metronome Setup window. I say "in the process of”, because not all visual aspects of the program employ the new design direction just yet. The first development that's immediately obvious as you begin exploring Nuendo 5 is that Steinberg are, once again, in the process of changing the appearance of the user interface. It's not Steinberg's fault, but it means that users who need all of the video features will have to run the 32‑bit version for the time being. However, it should be noted that QuickTime is currently not supported if you run the 64‑bit version of Nuendo, which is, frankly, a bit of a pain.
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The new video engine, in particular, which offers hardware acceleration and full HD support, will be welcomed by those using Nuendo for media production.
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Cubase 5.5 and Nuendo 5 benefit from the many core, under‑the‑bonnet improvements, such as better multi‑core performance for systems, improved scrubbing, and a new video engine that finally makes Firewire video output possible for Windows users. It also includes functionality from the recently released Cubase 5.5, which means that Nuendo and Cubase finally have a kind of feature parity once again. Nuendo 5 doesn't just incorporate features from Cubase 5, though. This means that on top of the features that are new for Nuendo 5 - the ones that we'll be discussing in this review - Nuendo users also get a host of other features, such as the Batch Export window, Variaudio, and the Reverence convolution reverb plug‑in. And while some elements of Cubase 5, such as the ability to play back (although not edit) VST Expression data, became supported in the minor Nuendo updates, the full functionality of Steinberg's music‑oriented application has not been available in Nuendo and the Nuendo Expansion Kit (see 'Catching Up With Cubase' box) until now. In addition to providing Nuendo updates, Steinberg also introduced a major new version of Cubase at the beginning of 2009. And although three years have passed since the last major release of Nuendo, Steinberg have made available numerous incremental updates in the intervening time that have added both functionality and support for new hardware. After some brief sibling rivalry with Cubase during the troubling twos, where Nuendo struggled to forge its own identity, the application's focus started to become clearer with the release of version 3 in 2005 and, particularly, version 4 in 2007. With Steinberg continuing to focus on features for audio post‑production, is Nuendo still a relevant option for those working strictly in music?Įver since Nuendo was conceived back in the late '90s, Steinberg's flagship audio application has always aspired to be a tool for post‑production. Note the new real‑time scrolling waveform view in the mixer. Nuendo 5 in all its glory playing the included example Project, 'Changes'.
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